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''La Strada'' (''The Road'') is a 1954 Italian drama film directed by Federico Fellini from his own screenplay co-written with Tullio Pinelli and Ennio Flaiano. The film portrays a brutish strongman (Anthony Quinn) and the naïve young woman (Giulietta Masina) whom he buys from her mother and takes with him on the road; encounters with his rival the Fool (Richard Basehart) end with their destruction. Fellini has called ''La Strada'' "a complete catalogue of my entire mythological world, a dangerous representation of my identity that was undertaken with no precedent whatsoever."〔Kezich (2009), 56.〕 As a result, the film demanded more time, effort and suffering than any of his other films, before or since.〔Baxter, 105.〕 The development process was long and tortuous; it was extremely difficult to secure financial backing; casting proved problematic; injuries, personnel changes and inclement weather disrupted the production schedule more than once; budget shortages constantly plagued the director and his production supervisor, forcing them to take extraordinary measures to keep going. Finally, just before shooting was completed, Fellini suffered a nervous breakdown that necessitated medical treatment in order to complete principal photography. Initial critical reaction was harsh, and the film's screening at the Venice Film Festival was the occasion of a bitter controversy that escalated into a public brawl between Fellini's supporters and detractors. Subsequently, however, ''La Strada'' has become "one of the most influential films ever made", according to the American Film Institute.〔http://www.afi.com/silver/films/preview/archive/AFIPreview_21.pdf〕 It won the inaugural Academy Award for Best Foreign Language Film in 1956.〔Kezich (2006), 406.〕 It was placed fourth in the 1992 British Film Institute directors' list of cinema's top 10 films.〔(The ''Sight & Sound'' Top Ten Poll: 1992 ) Retrieved 2012-6-15〕 ==Plot== Gelsomina (Giulietta Masina), a credulous young woman, learns that her sister Rosa has died since going on the road with the strongman Zampanò (Anthony Quinn). Now the same man has returned a year later to ask her mother if Gelsomina will take Rosa's place. The mother accepts 10,000 lire, and her daughter departs the same day. Zampanò makes his living as an itinerant street performer, entertaining crowds by breaking an iron chain bound tightly across his chest, then passing the hat for tips. In short order, Gelsomina's naïve and antic nature emerges, with Zampanò's brutish methods presenting a callous foil. He teaches her to play the snare drum and trumpet, dance a bit, and clown for the audience. Despite her willingness to please, he relies on intimidation and even cruelty at times to maintain his domination. Finally, she rebels and leaves, making her way into town. There she watches the act of another street entertainer, Il Matto ("The Fool"), a talented high wire artist and clown (Richard Basehart). When Zampanò finds her there, he forcibly takes her back. They join a ragtag travelling circus where Il Matto already works. Il Matto teases the strongman at every opportunity, though he cannot explain what motivates him to do so. After Il Matto drenches Zampano with a pail of water, Zampanò chases after his tormentor with his knife drawn. As a result, he is briefly jailed and both men are eventually fired from the travelling circus. Gelsomina's difficulties with her forced partnership are the subject of frequent soul searching. After Zampano's release from prison, Il Matto proposes that there are alternatives to Gelsomina's servitude, and imparts his philosophy that everything and everyone has a purpose — even a pebble, even her. A nun suggests that Gelsomina's purpose in life is comparable to her own. But, when Gelsomina offers Zampano marriage, he brushes her off. The separate paths of fool and strongman cross for the last time on an empty stretch of road, when Zampanò comes upon Il Matto fixing a flat tire. As Gelsomina watches in horror, the strongman strikes the clown on the head several times. Il Matto complains that his watch is broken, then collapses and dies. Zampanò hides the body and pushes the car off the road where it bursts into flames. The killing breaks Gelsomina's spirit. After ten days, her affect remains flat, and her eyes lifeless. Finally Zampanò abandons her while she is taking a nap, leaving some clothes and money. Some years later, he overhears a woman singing a tune Gelsomina often played. He learns that the woman's father had found Gelsomina on the beach and kindly taken her in. However, she had wasted away and died. Zampanò gets drunk and wanders to the beach, where he breaks down in tears. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「La Strada」の詳細全文を読む スポンサード リンク
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